Chilkat Raven Dance Apron by Ernestine Hanlon-Abel

Ka Sy Yah Ga (Ernestine Hanlon-Abel)

Raven, Crow-Dog Salmon

Tlingit, Hoonah, Alaska

I started to weave Tlingit spruce root baskets in 1978. I started to weave Chilkat in 1984. In 1993 Chilkat weavers gathered in Hoonah to share knowledge and make an Indigenous Weavers Statement.

Chilkat weaving is very spiritual. I am awed to know this art form has been carried on throughout centuries. I am grateful that this art did not die, as predicted by some, and we are responsible for that. This art defines who we are and shows our jurisdiction.

In Tlingit the word for priceless possessions is Aat.oow. That’s how I feel about the work that I do and see it as part of my very being. There’s a great respect mixed with humility and pride for me knowing that these priceless possessions contribute to our long-standing traditions.

When I see the beauty of the pieces that are created being used appropriately I feel fulfilled and happy. I feel that my grandchildren will not be without an identity.

The work involved in producing a Chilkat piece is immense. This is reflected in each warp and weft. With the work comes a great responsibility and there are strict rules that must be followed. It is not for everyone.

I create my weavings for our own people to dance. On occasions I consent to have them displayed.

As a weaver it is definitely gratifying to see the outcome of hours of work. To know that what I do is so important. What I mean by that is when I see a piece danced. It seems like a completion in some way. To see the power it displays and the affect it has on the people that that witness that dance.

This Dance Apron is “Yeil” or Raven. As you will notice there are circles in the yellow border. This represents how Raven loves to travel to Excursion Inlet, but has to go back to Hoonah. I produced this piece for my son, Mark Cook, Sr. in 1984.